SciELO - Scientific Electronic Library Online

 
 número38Estrategias Socio-espaciales de competencia sostenible en los mercados de bienes simbólicos andinos: el caso de Apachita WaraquUna lectura de la descolonización desde la sociología de las interacciones sociales índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • No hay articulos similaresSimilares en SciELO

Compartir


Temas Sociales

versión impresa ISSN 0040-2915versión On-line ISSN 2413-5720

Resumen

VELASCO CAMACHO, Javier. Composing aesthetically politics: between Quispe and Miss Universe. Temas Sociales [online]. 2016, n.38, pp.67-88. ISSN 0040-2915.

This paper analyzes the critical composition of the idea of national community from an approach that, based on the theoretical framework of Rene Zavaleta and Silvia Rivera, proposes the reading of politics as a phenomenon aesthetically constructed. If we understand the colonial status as the negation of the other in terms of racial or ethnic identity, politics is the field where these negations are discussed in disruptive trends that have marked our historical horizon. Sociology can then open its scope to the reading of certain images: aesthetically manifest social moments that bring our tendency to think of ourselves as a society. One of these, before the phenomenon Evo Morales and 2006 times, was the capture of Felipe Quispe, "El Mallku" in the 90s, when it is read against the grain of the Bolivia-Miss Universe in its participation in the contest of 2004. Thus it arises if politics can be understood as the visibility of disagreement (Ranciere), born contemporary politics right now showing aesthetically constructed compositions of society to targetthe colonial condition as a condition that inhabits us

Palabras clave : community; motley society; colonial condition; political; aesthetic.

        · resumen en Español     · texto en Español     · Español ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons