<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2518-4431</journal-id>
<journal-title><![CDATA[Investigación & Desarrollo]]></journal-title>
<abbrev-journal-title><![CDATA[Inv. y Des.]]></abbrev-journal-title>
<issn>2518-4431</issn>
<publisher>
<publisher-name><![CDATA[UNIVERSIDAD PRIVADA BOLIVIANA]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2518-44312021000200095</article-id>
<article-id pub-id-type="doi">10.23881/idupbo.021.2-6e</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[EL CINE MINERO Y EL CINE DE MONTAÑA EN BOLIVIA, CAVANDO EN LO NACIONAL]]></article-title>
<article-title xml:lang="en"><![CDATA[MINING CINEMA AND MOUNTAIN CINEMA IN BOLIVIA, DIGGING INTO THE NATIONAL]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Laguna-Tapia]]></surname>
<given-names><![CDATA[Andrés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Privada Boliviana Laboratorio de Investigación en Comunicación y Humanidades ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Bolivia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>21</volume>
<numero>2</numero>
<fpage>95</fpage>
<lpage>111</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.bo/scielo.php?script=sci_arttext&amp;pid=S2518-44312021000200095&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.bo/scielo.php?script=sci_abstract&amp;pid=S2518-44312021000200095&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.bo/scielo.php?script=sci_pdf&amp;pid=S2518-44312021000200095&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN En la tradición fílmica de los países centroeuropeos, en la primera mitad del siglo XX, proliferó lo que se conoció como bergfilme, películas de montaña, que contribuyeron a la construcción de imaginarios nacionales y/o nacionalistas. De manera coincidente, por sus condiciones geográficas y culturales, Bolivia tiene un gran patrimonio visual dominado por los Andes. La presente investigación, recopiló e identificó documentos audiovisuales en los que la montaña tiene un rol protagónico en la construcción del imaginario nacional boliviano. A partir de ese análisis, se develó la importancia del contexto minero, de sus modos de producción y de organización. Utilizando una metodología de revisión documental, de análisis histórico comparativo e iconológico, en los registros cinematográficos tratados de este entorno se encontraron ciertas claves para reflexionar sobre fenómenos políticos, demográficos y culturales, que configuraran a la realidad nacional boliviana.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT In Central European countries the film tradition, in the first half of the 20th century, what became known as bergfilme proliferated, mountain films, which contributed to the construction of national and / or nationalist imaginaries. Coincidentally, due to its geographical and cultural conditions, Bolivia has a great visual heritage dominated by the Andes. This research collected and identified audiovisual documents in which the mountain plays a leading role in the construction of the Bolivian national imaginary. From this analysis, the importance of the mining context, its modes of production and organization, was revealed. Using a methodology of documentary review, of comparative and iconological historical analysis, in the cinematographic records treated of this environment certain keys were found to reflect on political, demographic and cultural phenomena, which would shape the Bolivian national reality.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cine Boliviano]]></kwd>
<kwd lng="es"><![CDATA[Películas de Montaña]]></kwd>
<kwd lng="es"><![CDATA[Cine Minero]]></kwd>
<kwd lng="es"><![CDATA[Estudios Fílmicos]]></kwd>
<kwd lng="es"><![CDATA[Imaginarios Nacionales]]></kwd>
<kwd lng="en"><![CDATA[Bolivian cinema]]></kwd>
<kwd lng="en"><![CDATA[mountain films]]></kwd>
<kwd lng="en"><![CDATA[mining cinema]]></kwd>
<kwd lng="en"><![CDATA[film studies]]></kwd>
<kwd lng="en"><![CDATA[national imaginary]]></kwd>
</kwd-group>
</article-meta>
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