PRESENTACION |
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ARTÍCULOS Y ESTUDIOS |
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| · Imaginary Geographies: The Multiple Spaces of the City in Walter Montenegro’s Narrative Velasco Camacho, Javier
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| · Speaking from Deep within Our Insides: Humanism, the Nation, and the Condition of Women in Yolanda Bedregal Riobó Pezoa, Enrique
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| · The Painful Existence of the Tragical Hero. Reflections about Arturo Borda Arce Hochkofler, Fernando
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| · The Pictorial and Poetic Monster: Insurrection and Avant-garde in Author Luis Luksic Verdesoto Ardaya, Fernanda
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| · Romantic Love in the Dances and Songs of the Festivity of the Gran Poder Pinto Tapia, Bismarck
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VISUAL ESSAY |
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| · Tiwanaku: una lectura desde las vanguardias Paz Moscoso, Valeria
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DOSSIER |
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| · The Ancient Tune: Writing and Phonetic Symbols in Ramún Katari Castro Riveros, Alan
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| · Painting and Photography, Painters and Photographers in the Time of Juan Rima in Bolivia Querejazu Leyton, Pedro
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| · The Modern View of Juan Rima Álvarez Plata P., María Isabel
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| · In Search of José María Velasco Maidana Prudencio, Cergio
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| · Visual Construction of the City of La Paz, as Seen by Bolivia Films Zapata Pinto, L. Sergio
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| · Nuestro domingo: crónica epistolar entre Yolanda Bedregal e Iván Rima Echazú Conitzer, Alejandra
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| · Amerindia: a Vestige, a Quest, a Path. On the Beginnings of Theatrical Dance in Bolivia Delgadillo Rivera, Tania
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| · Three Indigenisms through Literary and Cultural Journals and Magazines (1930-1950) Rocha Velasco, Omar
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| · "Crossing the Country in Its Infinite Directions": Institutions, Works, Visions (Argentina, 1920-1950) Gluzman, Georgina G.
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| · Modern and American: The Arts in the Cuzco-Buenos Aires Route Gutiérrez Viñuales, Rodrigo
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| · Pío Collivadino and the Academia of Fine Arts of Buenos Aires Malosetti Costa, Laura
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| · The Style is the Nation: Tiwanaku as the Origin of the Work of Cecilio Guzmán de Rojas Paz Moscoso, Valeria
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| · Art and the Public. Contact Spaces in La Paz (1930-1950) Arze, Silvia
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