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vol.21 número2LOS URBANISMOS ALTERNATIVOS: UNA APROXIMACIÓN A LAS PRÁCTICAS CIUDADANAS DE INTERVENCIÓN AL ESPACIO PÚBLICO EN BOLIVIA“NI CON LIMA NI CON BUENOS AIRES”: JOSÉ LUIS ROCA Y LA LECTURA HISTÓRICA DEL COMPLEJO NACIMIENTO DEL ESTADO NACIONAL BOLIVIANO índice de autoresíndice de materiabúsqueda de artículos
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Investigación & Desarrollo

versión On-line ISSN 2518-4431

Resumen

LAGUNA-TAPIA, Andrés. MINING CINEMA AND MOUNTAIN CINEMA IN BOLIVIA, DIGGING INTO THE NATIONAL. Inv. y Des. [online]. 2021, vol.21, n.2, pp.95-111.  Epub 30-Dic-2021. ISSN 2518-4431.  https://doi.org/10.23881/idupbo.021.2-6e.

In Central European countries the film tradition, in the first half of the 20th century, what became known as bergfilme proliferated, mountain films, which contributed to the construction of national and / or nationalist imaginaries. Coincidentally, due to its geographical and cultural conditions, Bolivia has a great visual heritage dominated by the Andes. This research collected and identified audiovisual documents in which the mountain plays a leading role in the construction of the Bolivian national imaginary. From this analysis, the importance of the mining context, its modes of production and organization, was revealed. Using a methodology of documentary review, of comparative and iconological historical analysis, in the cinematographic records treated of this environment certain keys were found to reflect on political, demographic and cultural phenomena, which would shape the Bolivian national reality.

Palabras clave : Bolivian cinema; mountain films; mining cinema; film studies; national imaginary.

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