SciELO - Scientific Electronic Library Online

 
vol.21 issue2ALTERNATIVE URBANISMS: AN APPROACH TO THE CITIZEN PRACTICES OF INTERVENTION TO PUBLIC SPACE IN BOLIVIA"NI CON LIMA NI CON BUENOS AIRES": JOSÉ LUIS ROCA AND THE HISTORICAL READING OF THE COMPLEX BIRTH OF THE BOLIVIAN NATIONAL STATE author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

Related links

  • Have no similar articlesSimilars in SciELO

Share


Investigación & Desarrollo

On-line version ISSN 2518-4431

Abstract

LAGUNA-TAPIA, Andrés. MINING CINEMA AND MOUNTAIN CINEMA IN BOLIVIA, DIGGING INTO THE NATIONAL. Inv. y Des. [online]. 2021, vol.21, n.2, pp.95-111.  Epub Dec 30, 2021. ISSN 2518-4431.  https://doi.org/10.23881/idupbo.021.2-6e.

In Central European countries the film tradition, in the first half of the 20th century, what became known as bergfilme proliferated, mountain films, which contributed to the construction of national and / or nationalist imaginaries. Coincidentally, due to its geographical and cultural conditions, Bolivia has a great visual heritage dominated by the Andes. This research collected and identified audiovisual documents in which the mountain plays a leading role in the construction of the Bolivian national imaginary. From this analysis, the importance of the mining context, its modes of production and organization, was revealed. Using a methodology of documentary review, of comparative and iconological historical analysis, in the cinematographic records treated of this environment certain keys were found to reflect on political, demographic and cultural phenomena, which would shape the Bolivian national reality.

Keywords : Bolivian cinema; mountain films; mining cinema; film studies; national imaginary.

        · abstract in Spanish     · text in Spanish     · Spanish ( pdf )