Resumo

ARCE HOCHKOFLEN, Fernando. Paranoiac destruction of the double: "In the film black swan de Aronofsky". Revista de Psicologia [online]. 2016, n.15, pp.123-129. ISSN 2223-3032.

Abstract Apprehension ofthe doublewith asense of strangenessand uncontrollable anxiety, occurs when the imago ofthe mother-internalized as bad object-returns from the realtothesymbolicspacewhereothersimilarwith itsown identity, appearsand isso similarthat acts showing the underside ofthe privacy ofthe subject, making manifest that He repressed his features and accentuating the positive as having a better chance of success in being and achieve the objectives ofthe subject. Feelings of persecution that the protagonist experienced when triggered his psychosis, clearly manifest the mirror stage as erotic inaugural relationship in which the individual is fixed underthe printing ofan image which alienates himfrom himself and which was crystallized the conflictual tension that finds its structure and paranoiac constitution, where the two moments are confused in which the subject denies himself and in which he makes charges the other; fundamental negations that Freud put in value as the three forms of paranoid deliriums: jealousy, erotomania and Interpretation.

Palavras-chave : Imago; Maternal superego; Mirror stage; Ominous; Soul murder.

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