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vol.23 número36INTERACCIÓN HUMANA Y SIMBÓLICA EN RITUALES DEL VALLE ALTO DE COCHABAMBA índice de autoresíndice de assuntospesquisa de artigos
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Punto Cero

versão On-line ISSN 1815-0276

Resumo

GARCIA SALAZAR, Carlos. DESGLOSANDO EL CONTEXTO Y DISCURSO DEL CÓMIC BOLIVIANO. Punto Cero [online]. 2018, vol.23, n.36, pp. 65-73. ISSN 1815-0276.

The history of Bolivian comic art is diffuse due to its scarce periodicity. Artistic initiatives related to comic books and strips is in resurgence before the imposition of censorship in the military era. Despite the active new inception, the semiotics and structures of the national comic have not totally settled defining their origins in the formation of tradition. The complex coupling of popular culture and other genres and narrative styles used among the vignettes characterizes Bolivian production. Although, the trends of the discursive structure and the structural relationship between semantic, rhetorical and mimetic functions are not defined semiologically. The present article tries to break down and later rearticulate the details of the history over the national context in the production of vignettes for different media. Based on the research carried out, the structural and discursive elements of the phenomenon will be analyzed and structurally linked.

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